My practice is centred around Automatic Drawing, an intuitive artistic method that translates subconscious emotions, hidden memories, and fragments of dreams directly onto the canvas. Inspired by Carl Jung’s theory of automatic writing, I extend this concept visually, letting each artwork form spontaneously, without preconceived ideas or deliberate composition.

 

Through fluid, instinctive gestures, my subconscious imagery takes shape as dynamic lines, abstract forms, and symbolic representations. Each painting emerges naturally, becoming a visual map of personal experiences intertwined with universal emotional narratives. In this way, my work invites viewers into a dialogue with their own subconscious associations and memories.

 

By merging oil paints and traditional Chinese calligraphy ink, my paintings embody a unique interplay between Eastern and Western aesthetics. The textured richness of oil painting combined with the flowing, expressive precision of ink captures the dual cultural influences that shape my identity.

 

Ultimately, Automatic Drawing is both a creative exploration and a meditative practice—a continuous process of self-discovery and self-construction, where each spontaneous mark helps to define who I am.